instagram pinterest linkedin facebook twitter goodreads facebook circle twitter circle linkedin circle instagram circle goodreads circle pinterest circle

Far From Flatbush

Day of the Locust

The ignorance of the American media never ceases to dazzle, and it was on full display last week when Margaret Thatcher died. As soon as the news broke, the commentators on the cable show I was watching began describing Thatcher as a great prime minister loved by all, a veritable saint like her good friend Ronald Reagan.

This didn't exactly jive with what I remembered about the reign of the so-called Iron Lady. In her own country, she was at best divisive and at worst despised. There were riots in Liverpool, an unnecessary war in the Falklands, and an ongoing economic catastrophe that led to massive unemployment.

It’s this last point that I discuss in Beaver Street. Just as Ronald Reagan’s policies gave the world “free” phone sex, which transformed the porn industry from an underground phenomenon to a mainstream financial behemoth, Thatcher’s policies were instrumental in making D-Cup magazine a success.

It was soon after I began editing the magazine, in 1986, that, as I say in Beaver Street, I started making regular trips to London with fists full of cash to “persuade the nubile spawn of Margaret Thatcher’s economically ravaged England to reveal their fleshly charms.”

I explain how British photographers were placing ads in newspapers “inviting young women to come to London to audition as topless ‘Page 3’ girls,” and how Thatcher’s economic initiatives had driven “unemployed and underemployed students, nurses, housewives, and secretaries” to descend “locust-like upon the city because they believed that flashing their boobs in ‘respectable’ family newspapers was the first step on the road to becoming a big movie star or a famous lingerie model.”

On one trip, in late 1987, soon after the stock market crash, I witnessed hundreds of young women line up in a London warehouse that had been converted to a makeshift photography studio. One after another, they took off all or some of their clothes, as a photographer snapped test shots. And within weeks, thanks to Lady Thatcher, dozens of these women, having been told that they weren’t quite right for Page 3, had decided that “rather than go back to the night shift in a Liverpool fish-and-chips joint,” they’d make the leap to hardcore porn videos.

It’s this scenario that inspired “Bukkake Thatcher,” the latest poem Antony Hitchin has drawn from Beaver Street. (I’m running it today to commemorate Thatcher’s funeral, and I’ve kept the British spellings in her honor.) Using the cut-up technique, Hitchin has compressed into a few sentences the emotions expressed in a large swath of the book. And if you don’t know what bukkake means, go ask somebody who does.

Bukkake Thatcher

Penthouse Enron brain pictorial pulp lust bad writing on the wall for economically ravaged post-industrial America. Proficiently kink or fetish the young porn nymphos veritable antithesis.

Soulless ungloved stardom – cummer cyberspace mouse-click contraband epidemic of a vibrator cabal – whose picture appeared virus legislators syndicated war on drugs.

Weapon – she was FBI cold – a moneymaker sting exploitation violating possession. Nonstop traumatic gonzo bukkake ethical violations – anilingus handheld through Margaret Thatcher’s erections – Pentecostal Watergate conspirators’ congress fibre-optic aureoles of will.

Forevermore hairball – cherry pop Iran-contra – gold standard regurgitated anal sex two-headed monster naked in a bathtub representing French and Swedish markets. Cro-Magnon church savage mass-mailing academic paedophile backbone measured to Traci Lords Nixon search.

Warrant zealots anti-porn bible on TV – black on milk cartons hole of substance abuse grotesque – erotic – strictly mechanical – a vestigial camera insertion testimony to sleazy nubile spawn of fuck-and-suck-athon. Alzheimer's mouth shut manufacturing synchronicity god CIA Meese report.
Be the first to comment