The Sporadic Beaver

And On And On And On…/Y sigue y sigue y sigue…

September 14, 2016

Tags: Bill Harry, Mersey Beat, Nowhere Man, The Final Days of John Lennon, Los últimos días de John Lennon, Facebook, Proceso, 10 Mathew Street, The MacWire, René Portas

When the Mexico City newsweekly Proceso ran the Spanish translation of my interview with Bill Harry, the founding editor of Mersey Beat—they called it “Lennon al desnudo…” (“Lennon Naked”)—it put my John Lennon bio, Nowhere Man, back in the news. Not bad for a book that’s been in print for more than 16 years and was originally rejected by everybody.

That Nowhere Man became a cult classic, embraced by the Spanish-language media and reading public, is, in large part, due to Proceso’s ongoing coverage. They’ve been deconstructing and analyzing the book ever since Random House Mondadori (now Penguin Random House Grupo Editorial) first published the Spanish edition in 2003. (An updated e-book edition was published in June.)

Soon after Proceso ran Harry’s probing and empathetic interview, 10, Mathew Street, a Madrid-based site, and The MacWire, an American celebrity site, picked it up.

This sequence of events began when Harry posted part of the interview, amidst a flurry of comments, on his Facebook page, and I posted it here, titled “And the Mersey Beat Goes On/Y el Mersey Beat sigue” (translated by René Portas, who also translated Nowhere Man).

As Harry was the first person to interview me who knew Lennon from Liverpool, before the Beatles became a global phenomenon, I considered it significant—another step on the road to Nowhere Man’s increasing acceptance among those readers who want to know what was really going on in John Lennon’s head.

I invite you to join me on Facebook or follow me on Twitter.

Y sigue y sigue y sigue…

Cuando el semanario Proceso de ciudad México, publicó la traducción al español de mi entrevista con Bill Harry, el director fundador del Mersey Beat —la llamaron “Lennon al desnudo…”—, puso mi biografía de John Lennon, Nowhere Man, de vuelta en las noticias. No está mal para un libro que ha estado en prensa por más de 16 años, y fue rechazado originalmente por todo el mundo.

El que Nowhere Man se convirtió en un clásico de culto, abrazado por los medios en lengua española y el público lector, es debido, en gran parte, a la cobertura continua de Proceso. Ellos han estado discutiendo y analizando el libro siempre, desde que Random House Mondadori (ahora Penguin Random House Grupo Editorial) publicó por primera vez la edición española en 2003. (Una edición en e-book actualizada fue publicada en junio).

Poco después que Proceso publicó la tanteadora y empática entrevista de Harry, 10, Mathew Street, un sitio con sede en Madrid, y The MacWire, un sitio célebre americano la recogieron.

Esta secuencia de eventos empezó cuando Harry posteó parte de la entrevista, en medio de un aluvión de comentarios, en su página de Facebook, y yo la posteé aquí, titulada “And the Mersey Beat Goes On/Y el Mersey Beat sigue” (traducida por René Portas, quien asimismo tradujo Nowhere Man).

Como Harry fue la primera persona que me entrevistó, quien conociera a Lennon de Liverpool, antes de que los Beatles se convirtieran en un fenómeno global, yo lo consideré significativo, otro paso en el camino de la creciente aceptación de Nowhere Man, entre esos lectores que quieren saber qué, realmente, estaba pasando en la cabeza de John Lennon.

Te invito a unirte a mí en Facebook o a seguirme en Twitter.

*“I read the news today, oh boy”, de “A day in the life”, canción de los Beatles.

Stand By Me

October 12, 2015

Tags: Nowhere Man, The Final Days of John Lennon, e-books, Louie Free, The MacWire, 10 Mathew Street, Absolute Elsewhere, The Time Warped Hour, Shu-Izmz

Never have so many people, in so many places, done so much, for so long, to keep one book alive and relevant. Most of these people I've never met in person.

If the original publication of Nowhere Man was "like the end of the Vietnam war and I'm the Vietcong" (as I told M. A. Cassata when she interviewed me for Goldmine magazine in 2000), then the release of the e-book edition has been like a Ho Chi Minh Day parade celebrating 15 years of postwar survival.

A core group of supporters have been doing all they can to help me introduce the digital edition of Nowhere Man: The Final Days of John Lennon to a new generation of readers.

Louie Free, the book-loving host of The Louie Free Radio Show: Brainfood from the Heartland, remains a rare independent voice carrying on the nearly forgotten tradition of free-form radio. In early 2000, during our first interview, a scheduled 15-minute chat turned into a four-hour Nowhere Man talkathon. Since then, from his base in Youngstown, Ohio, Louie has interviewed me dozens of times, most recently on October 9, for Lennon’s 75th birthday. I’ll be back December 8, and you can listen live here. And be sure to tune in for the holidays, when Louie will be playing Mary Lyn Maiscott’s “Christmas classic” (his words) “Blue Lights.”

M. A. Cassata and I once worked for the same publishing company. She edited and wrote for rock magazines; I edited men’s mags. Now she runs The MacWire, where she’s posted an interview and an article about the e-book.

The passion of the Spanish-speaking world for Nowhere Man took me by surprise when the book was first published in that language, in 2003. Nowhere is that passion more evident than on 10, Mathew Street, a Beatles Website based in Madrid. To celebrate John Lennon’s 75th birthday and the release of the e-book, they’ve run an interview with me in English and Spanish.

Fifteen years after Lady Jean Teeters and I first spoke about John Lennon for her Absolute Elsewhere site, I’ve come to regard the interview as a classic—an empathetic conversation that took place just as my life was undergoing a radical transition. For the e-book edition, Jean has posted promos on AE and on History Unlimited, another site she runs. You can also connect with her on Facebook’s The Spirit of John Lennon page.

Daniel Zuckerman’s The Time Warped Hour podcast and Bryan Schuessler’s Shu-Izmz site and podcast are two recent arrivals to the circle of support. Stay tuned for links to their upcoming John Lennon shows.

And a special thanks to Chris Reeves who designed the cover, an homage to the original design by Celia Wiley; to Ann Schneider who helped me secure the rights to the cover photo; and to everybody else who’s stood by me over the years. You know who you are. If you don’t, you should look here.