It's impossible to write about the history of pornography, or even the history of 20th century America, without talking about Deep Throat
, the movie. In the world of XXX, Deep Throat
was the atomic bomb, the event that changed everything and whose impact continues to be felt today.
In the Beaver Street Prologue
, I describe how Ronald Reagan’s attorney general Edwin Meese used underage porn star Traci Lords “as a weapon to attempt to destroy the porn industry as revenge for every legal humiliation pornographers had inflicted on the government since Linda Lovelace and Deep Throat
shattered box office records in 1973.”
Later in the book, I explain how Richard Nixon, in an attempt to distract the country from the emerging Watergate scandal, ordered the FBI to shut down every theatre showing Deep Throat
, confiscate every print, and to arrest the actors and filmmakers responsible for it. The result: Lovelace became the world’s first porno superstar, buying a ticket to a dirty movie became an act of revolution and protest, and Deep Throat
became the eleventh-highest-grossing film of 1973.
As if Bloomsday on Beaver Street
, the New York launch event on June 16, didn’t have enough cosmic significance swirling around it, it also happens to be taking place four days after the 40th anniversary of Deep Throat
’s New York premiere and three days before the 40th anniversary of a story that ran on the front page of The Washington Post, about the arrest of five men with ties to the Republican party caught burglarizing the Watergate Hotel, thus giving rise to that other Deep Throat, the one of Woodward and Bernstein fame.
All of which is to say, last night, in celebration of this 40th anniversary, I went to 2A, a bar in the East Village, to hear Eric Danville read from his book, The Complete Linda Lovelace
. The book will be reissued in September, and the reissue will coincide with the release of Lovelace
, starring Amanda Seyfried, which is based on the book.
Danville is somebody I’ve been aware of for years but had never actually met until last night. We were in the same New York Times article, published ten years ago, “A Demimonde in Twilight.”
Danville was dressed motorcycle-style for the event, “Live to Write/Write to Live” inscribed across the back of his denim vest. As his image was projected larger than life on the wall of a building across the street, he read from his Lovelace book for a full hour, to an appreciative crowd that include the son of Deep Throat
director Gerard Damiano.
When it was over, I congratulated Danville on his performance and his stamina.
“One hour is a long time to read,” I told him.
“My throat,” he said, “was dry.”
This is, I imagine, a problem that never troubled the late Linda Lovelace.