The Sporadic Beaver

Mistress Pussycat

April 19, 2015

Tags: Mistress Pussycat, Joyce Snyder, Pam Katz, literature, Swank Publications, Headpress, Fifty Shades of Grey

If you read Beaver Street, then you probably took note of a character I called "Pam Katz," whom I've often written about on this blog. (I used pseudonyms for all the non-public figures in the book.) Now Pam Katz, who is really Joyce Snyder, has written her own book, Mistress Pussycat: Adventures With Submissive Men In The World of Femdom, which Headpress is publishing on September 7. You can preorder the book on Amazon. (The cover you see here will be the actual cover.) And you can get more information about it on her under-construction but still-worth-checking-out Website.

I worked with Joyce for 15 years at Swank Publications. She was one of the rare people at that company who was a total professional and always conducted herself with the utmost integrity. So when she asked me to review Mistress Pussycat, which you’ll be hearing a lot about here and elsewhere in the months to come, I was happy to do so. This is what I had to say:

Mistress Pussycat is a disturbingly honest, highly arousing, laugh-out-loud-funny memoir by cat-loving career pornographer Joyce Snyder. At age 60, after half a lifetime spent cranking out low-rent stroke books and X-rated films, she embarks on a madcap journey of erotic self-discovery and learns the true nature of her own sexuality—she’s a “femdom,” a woman who wants to enslave men. Her quest for the perfect, obediently worshipful male is an eye-opening tour through the demented demimonde of BDSM, a secret world barred to the “vanilla”—anybody not into BDSM—featuring “adult babies,” “pony parties,” “pain sluts,” “pay pigs,” human furniture, masochists begging to be publicly humiliated, dominatrices expert in the art of testicular torture, and men who want only to suffer forevermore as naked “slave beasts,” their penises caged in diabolical chastity devices. Snyder’s sharply drawn portraits of the more than a dozen torment-craving “subs” who audition for her ministrations are frighteningly real, well written, and well researched, and because she experienced or witnessed everything she so skillfully describes, it’s hotter than Fifty Shades of Grey. Reading Mistress Pussycat is a literary pussy-whipping… and you’ll learn a lot about cats, too.

Pinellas Prison Blues (and Oranges)

April 13, 2015

Tags: Gene Gregorits, writing, literature, Florida, Stand Your Ground, Rick Scott

Gene Gergorits is not Nelson Mandela, and even his staunchest supporters say that it's "pretty much impossible to spin in any positive way" the charge against him--unlawful sexual activity with a minor--under which he's currently being held in Florida's Pinellas County jail, awaiting trial.

Florida, the land of Stand Your Ground, a law most rational people recognize as legalizing murder, is a state that boasts the fourth-highest number of executions in the United States. It’s also a state run by a climate-change-denying governor, Rick Scott, who, in his previous gig as chief executive of Columbia/HCA, a healthcare mega-giant, oversaw the largest Medicare fraud in history. The company (though not Scott himself), admitted to 14 felonies and was fined $1.7 billion, the largest such fine ever levied in the U.S.

So, let’s call Florida what it is: a vengeful, bloodthirsty state run by a chief executive who’s lucky that he’s not doing hard time in a Federal penitentiary, and a state where such notions as the “rule of law,” “justice,” and even “science” mean what those in power want them to mean.

In short, when you’re talking about the Sunshine State, it would be unwise to make any assumptions about the guilt or innocence of those who occupy a prison cell and those who occupy the executive mansion. Or, if you must make an assumption, stick to a safe one: The occupant of the executive mansion has more money than the occupant of the prison cell—because it’s been well-established that Florida is at the forefront of the American ideal of justice for the rich. Therefore, I would not dismiss the theory currently circulating among those paying attention to The State of Florida vs. Gene Gregorits that prosecutors railroaded Gene as an “undesirable,” somebody not welcome in their God-fearing fiefdom, parts of which will soon be underwater. (Visit Miami Beach while you still can.)

Gene chose Florida as a place to live in bohemian semi-poverty because he likes the beach, he detests cold weather, and the cost of living is significantly cheaper than, say, in L.A. But lack of money is only one contributing cause of Gene’s current nightmare. Anybody who followed his pre-incarceration Facebook feed, a litany of impotent rage, threats of self-mutilation, and reports about his ailing cat, Sam, would have seen the obvious: These were the desperate words of a man headed for an insane asylum, prison, and/or early death.

Desperation, of course, is endemic to writing. Ernest Hemingway and Hunter Thompson blew their brains out—and they’d achieved a level of commercial and critical success that’s probably no longer attainable. That’s what the book business can do to people, especially to writers like Gene who are not “brand names,” who dare to cultivate a distinctive voice, and who refuse to write plot-driven genre fiction or nonfiction that defies easy pigeonholing in a commercial category.

Gene, having aggressively rejected all the conventions of mainstream publishing, instead took a uniquely American path: He formed his own imprint, Monastrell, exclusively for his own books. And though Monastrell has put out 18 books and Gene has met with some success, including an interview on Vice.com that briefly sent Dog Days: Volume One rocketing up the Amazon charts, this venture has simply not generated enough cash for Gene to buy himself some Florida Justice.

So, he sits in his Pinellas County prison cell, doing what he can to hang on to what remains of his sanity—he writes books, and Monastrell, currently being run by his supporters, publishes them. Since he’s been in jail, he’s written Stretch Marks, a full-length memoir. This, in itself, is an extraordinary achievement. The Orange Woman: Volume I ($6.99) is a 27-page excerpt from Stretch Marks.

In The Orange Woman, Gene flashes back and forth between the early 1980s and the recent past. But he primarily focuses on the “vicious” winter of 1983, when he was a “sexually perverse child of seven” living in financial and cultural poverty, in rural Pennsylvania, with his emotionally unstable mother, Kathleen, who works a low-paying job at an IBM plant, and his sketchily described younger brother, Matt.

The orange woman is Naomi Fairbanks, so-called because of an artificial tanning product that has turned her skin “the somber orange of baked carrots.” She’s an inbred local “creature,” living in a trailer park, whom Kathleen hires to provide childcare—it’s all she can afford.

Naomi’s dialogue is rendered phonetically—Yer warnt serm cawfee?—and this is among the multitude of vividly conjured sounds, sights, tastes, smells, and sensations of a distant time and place that gives the reader a clear sense of the fucked-up situation Gene escaped from, and explains to some degree why he now finds himself in a Pinellas County prison cell.

The Orange Woman is an hors d’oeuvre that leaves the reader hungry for the full meal, and I can only hope that no matter what happens, Gene continues writing and publishing. For his is a voice that is, indeed, worth preserving.